Brave New World (1999)
1.I Will Be Your Witness
2.Brave New World
3.While There's Still Time
4.Number One
5.Best New Face
6.What Have They Done To You
7.Fallen Angel
8.Everything Is Cool
9.Great Expectations
10.Heavy Water
11.High Crimes and Misdemeanors
12.Just Fell In
13.Goodbye Roseland
14.Brave New World (Reprise)
 
In 1982, superstars Paul McCartney and
Stevie Wonder released a duet entitled "Ebony
and Ivory" that climbed to the top of the charts. When they released the video, they
performed a revolutionary technique: both
artists were in separate studios across the globe, yet when watching the
video, it appeared as though the performers
were performing side by side. In 1999, the much awaited full length Styx
reunion CD attempted to do the same thing with
it's key members - probably because the guys were starting to quarrel again.
The major disappointment here is that this is
obviously not a group effort. We have a Tommy
Shaw solo album and a Dennis DeYoung solo album thrown together to try
to masquerade the real thing. The glory of the
reunion in 1995-97 was apparently short lived as personal commitments
and strained relations caused this project
to achieve a less then desirable end result.
A big reason for the disappointment was that even though the members
were now in their late forties-early fifties, many
could argue they were at their peak creatively. Shaw had released his
critically acclaimed Seven Deadly Zens and
DeYoung and produced his masterpiece musical The Hunchback of Notre
Dame. Much of the material on this release
seems as though it would have been better at home on the above mentioned
solo releases. True Styx fans know a true Styx
album when they hear it, and this was far from it. In addition to the
songs sounding murky, the overall production
doesn't flow as it should. Take, for instance, the album opener I
Will Be Your Witness. It's a very touching
smooth piece that is perfect for the 21st century Styx, but why is this
song opening the album? An opening song
needs to forcefully grab the audience, especially after being
gone for sixteen years. This song should be much
further down the song listing, after the listener has calmed down and
now wants to sit down for the rest of the listen. There's
a lot of moments like that here. The songs sound very forced and patchy
at best.
Fortunately (or maybe unfortunately) there are a few pieces scattered
about that proves that these guys did
still have what it takes. The first single, for example, Tommy Shaw's
biting Everything is Cool is nothing short
of brilliant. Anyone who said Styx couldn't rock anymore obviously
hadn't heard this cruncher. This is the song
that should have opened the album (it did, thankfully, open the show
during the tour). Dennis DeYoung also comes
through in a big way on occasions. It's clear to most that DeYoung's
hard rock and roll days were gone, and when he wasn't
writing syrupy ballads (none are here thankfully) he could still pull it
off admirably. While There's Still Time is in fact
a ballad, but accompanied by an acoustic guitar instead of an electric
piano allows enough diversity to stand apart from many
other DeYoung pieces of latter years. Quite honestly, it's a beautiful
piece. In the James Young camp, we have Heavy Water, that
even though he shares the writing and singing with Tommy, it's pure JY -
and it's intense JY.
In the "pretty good" department, we have DeYoung's Goodbye
Roseland that seems at first to be a beautiful farewell to
childhood days of yore, yet on retrospect he may have been alluding to his
career (unbeknownst at the time, it would soon be over
in Styx). The song has a nice gospel feel that tends (as many of
DeYoungs tunes do) to get a little personal, but it just may
bring a tear to the eye. Tommy Shaw's title cut has just enough
diversity to be different from anything else the band has ever
done, yet be true enough not to alienate fans as has been the case
before. The ancient Egyptian (or whatever) riff doesn't take
anything away from the pop/rock effort they're trying to achieve.
Both the Dennis camp and the Tommy/JY camp come up short in most other
places on the disc. Anyone who blames either one
of the teams is being unfair. Although none of the other's are by any
means awful, we must remember that
this is a band that had always striven for perfection on their best albums. DeYoung
probably didn't help matters when he publicly denounced
the quality of the album after it was released. To be fair though, he
was on the money.
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