Meddle (1971)
1. One of These Days
2. A Pillow of Winds
3. Fearless
4. San Tropez
5. Seamus
6. Echoes
 
This was the album that signified the
rebirth, or rebranding of Pink Floyd. They manage to get everything
right on this record, and seemed to now be clearly headed in the right
direction. That's not to say they were ever necessarily in the
wrong direction, but ever since Syd Barrett's departure, they
seemed a bit scattered - trying to find that special sound that
would be relevant for the fans, and, more importantly, the band members
themselves.
Yes, there is still multitudes of weirdness, strange sound effects and
erie musical interludes. That would remain consistent throughout the
course of the band's career. What we have now discovered (and perhaps
they, themselves, discovered) is that they were brilliant musicians and
very gifted songwriters. The songs here are a joy to listen to, and not
a collection of sound effects that would emulate a nightmare or a
descent into insanity. To be honest, the songs are quite a variety.
They don't seem to be trying to necessarily produce consistency. That
could be a part of what made this record so special - the fact that they
were good at a variety of things.
In many ways, this album has become synonymous with the twenty three
minute cut Echoes that is one of the finest piece of music these
guys have ever put together. It has all the elements of a classic,
epic, Floyd piece. It's mostly keyboards delivered in a variety of
fashions over the length of the song. It manages to be bizarre and
freaky, but never loses the element of being a great piece of music.
You can actually hum along to portions of the song. Fortunately,
they were able to replicate pieces similar in quality, style, and even
length throughout their career.
In what could possibly be described as the complete opposite end
of the spectrum, is the other Floyd favorite, the leadoff track
One of These Days. It manages to maintain all of the Floyd
characteristics, yet this song actually rocks, quite possibly
harder than anything else in their entire catalog. Yes they were
starting to get things right in a big way.
Other tracks are not as well known (there are only four left), but for
the most part they excel. A Pillow of Winds, is a nice, dreamy
acoustic piece that fits well in the overall theme of the album.
Fearless is a quite bizarre track - but blends with the style of
Pink Floyd. I think that's an English Football team singing in the
background. I'm not sure what, nor why. But it works.
Roger Waters, in an attempt to sarcastically placate the record labels
ongoing demand to "produce something commercial", sings the swingy
San Tropez which sounds like an advert for a holiday. Yes, it's
tongue in cheek, but the irony is that if you hadn't known what
Waters was up to, it still would somehow fit in with the album even
though it's very polarizing in its style - you can make the same
argument for everything else on this album as well. This was, after all,
Pink Floyd. The only dog here (literally) is the barely two-minute song
Seamus about, well a dog. It lacks in substantial quality, but
at that short of a length, it's easily forgivable.
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