A Saucerful of Secrets (1968)
1. Let There Be More Light
2. Remember a Day
3. Set the Controls for the Heart of the Sun
4. Corporal Clegg
6. A Saucerful of Secrets
7. See-Saw
8. Jugband Blues
 
It must have been a shock for everyone
- fans, record executives, and even the band themselves when they found
that after their very exciting debut album, that founder and leader
Syd Barrett was slowly deteriorating in terms of his mental stability
and would be banished from the band shortly afterwards. It was around
this time that David Gilmour, a childhood acquaintance of the band, was asked to
join on guitar. He wasn't really asked to replace Barrett,
although that proved to be true in the near future, but only asked to enhance
the band's sound since Barrett was becoming too erratic in the studio and on stage.
This album does feature Barrett on a couple of tracks, including
one he wrote, Jugband Blues.
It's ironic because the track is arguably the worse thing on the album,
and after the brilliance that Barrett displayed on The Piper at the Gates of Dawn,
it seems as though his sacking was with merit. The song is so
fragmented, that it sounds as though it's actually several different
songs "mixed together" without any intention of cohesiveness. A bit
sad, since it sounds like there was still some genius under all of the
confusion.
So without Barrett, the rest of the band, including newcomer Gilmour,
are called on to be more in front in terms of songwriting, singing and
overall visibility. For the most part, they all succeed quite well -
especially Bassist (and sometimes vocalist) Roger Waters. Waters, who
had one composition on the band's first album, is given a total of three
solo compositions on this album and they range from good to outstanding.
His tune Set the Controls for the Heart of the Sun is arguably
the best thing that the early Pink Floyd ever did. It still contains
all of the abstract space travel eeriness that is heard on the debut
album, but it seems a bit more focused here, if such a thing is
even possible when discussing this type of music. The highlight is
drummer Nick Mason's strange pounding on the tom drums throughout the
track that manage to brilliantly enhance the mood. The opening track
Let There Be More Light, while not as strong, is good enough to
hold its own and show us that it is quite possible for this band to
survive and flourish after the departure of Barrett. Waters other song,
Corporal Clegg is the first of what would be many (some would
argue too many) of is anti-war songs. It almost
sounds too "normal" to be included here - at least with its message.
Keyboardist Richard Wright handles two of the tracks. While neither are
as strong as Waters' songs, they do indicate that this band still had
some solid singers and songwriters. See-Saw is the better track
of the two. It could almost pass as "normal", or as normal as this
band could hope to achieve, with very light, almost pop overtones.
Perhaps the favorite for many a Pink Floyd fan is the twelve minute epic
title track, which would seem to be an adequate "commercial" for the
style of music that this band was known for in its early days. People
would think nothing of a twelve minute Floyd track a decade later, but
in the era of the three minute single, this song had to be heard to be
believed. It's instrumental, and manages to capture everything spacey,
weird and surreal that this band had to offer. Just don't listen to it
alone in the dark.
Yes, there was life after Syd Barrett.
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