Hello, I Must Be Going (1982)
1.I Don't Care Anymore
2.I Cannot Believe It's True
3.Like China
4.Do You Know, Do You Care
5.You Can't Hurry Love
6.It Don't Matter To Me
7.Thru These Walls
8.Don't Let Him Steal Your Heart Away
9.The West Side
10.Why Can't It Wait 'Til Morning
 
Although the second Phil Collins album
was released to a public
who was now aware of who he was, he was nowhere near the superstar
that he would become in a few
short years. His first record was considered a "success" and he and
bandmates Genesis climbed a bit
higher in the popularity department with their latest release
"Abacab" one short year ago. Unlike
his debut, this record is a little more cautious, which is not to say a
dissappointment. Most of the
wild experimentations with sound and instruments are absent, but the
record is graced with a unique
style that was clearly Collins' own.
Consider the album opener I Don't Care Anymore. Musically,
this one is a bit of a challenge
to In The Air Tonight from Face
Value. The song starts with the angry
whacking of drum skins in a slow melodic fashion that is soon
accompanied by the equally bitter electric
keyboards until Collins belts out his frustrated emotions that, although
are a bit empty on melody, he more
than makes up with in energy. The song is clearly a style that Collins
can claim is own, and although
it was never a "hit", it remains a fan favorite. He's equally as angry
on Do You Know, Do You Care and
again we hear mostly drums and synthesizers accompanying the bitter
wails.
It hadn't appeared yet, but Collins would be remembered for his soothing
ballads as well as his heavy in-your-face
drum style. There's two pieces here that illustrate an early
incarnation of his romantic side, Don't Let Him
Steal Your Heart Away and Why Can't It Wait 'Til Morning.
The pieces are much more toned
down than the above mentioned titles, but again we hear an individual
struggling with relationships come
through even though the melody is a bit sweeter.
As he always would early on, we have the traditional horn infested jazzy
pop tunes - the most impressive here
is the instrumental The West Side. Less impressive, but by no
means a dissappointment, are I
Cannot Believe It's True and It Don't Matter to Me. On
the innovative side of things is the
spunky Like China in which Phil mimicks a love struck whiny
teenager amongst a strong guitar riff and,
as usual, thundering drum beats. He pulls it off quite well.
Unfortunatly, the first single was the cover of the Supremes' You
Can't Hurry Love which isn't bad,
but doesn't give the listener the exposure to what makes Collins work so
well. It should be mentioned though that
Collins was still not really producing commercial music, so this one was
a safe bet. All of that would change real
quick.
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