Going Back (20120)
1. Girl (Why You Wanna Make Me Blue)
2. (Love is Like A) Heatwave
3. Uptight (Everything's Alright)
4. Some of Your Lovin'
5. In My Lonely Room
6. Take Me in Your Arms (Rock Me for a Little While)
7. Blame it on the Sun
8. Papa Was a Rolling Stone
9. Never Dreamed You'd Leave in Summer
10.Standing in the Shadows of Love
11.Do I Love You
12.Jimmy Mack
13.Something About You
14.Love is Here and Now You're Gone
15.Loving You is Sweeter Than Ever
16.Going to a Go-Go
17.Talkin' About My Baby
18. Going Back
-Bonus Edition Tracks-
- Ain't Too Proud to Beg
- You've Been Cheatin'
- Don't Look Back
- You Really Got a Hold on Me
- Ain't That Peculiar
- Nowhere to Run
- Dancing in the Street
 
Sadly, for Phil Collins, age would prove to not be very kind. As the years
went on, Phil found himself with hearing problems, hand problems and back problems - all probably due to the
many years of being dedicated to his craft. Just how serious were his ailments? Well, word is that during
some of the sessions for this record, he actually had to tape the drum sticks to his hands. Very sad.
He seemed to be a bit emotional on the down slide as well, which was such a change from his chirpy personality
from the very successful 1980s. All of these reasons might be a prime reason why he chose a project such
as this one for a full length CD release.
It was no secret to anyone that knew Phil Collins that he had a weakness for the motown tunes of the 1960s.
This may seem a bit of a stretch since he made a career for himself a decade later as the drummer for the prog
group Genesis, yet he would incorporate many Motown elements into his latter day material. Many of his fans
were disappointed - it had been almost a decade since he had a full length album, yet the reasons mentioned above
were probably a critical factor. He probably could only handle something that was significantly lighter weight.
The good news is he delivers in a way exactly as you would expect him to on these tracks. He's really not trying
to reinterpret any of these songs, he simply replicates them to where many sound as carbon copies of the originals. For many
fans, there's a lot of familiarity here, yet unless you're a Motown nerd, a lot of what is here may be new to the listener.
This is actually very advantageous. As I listen to the familiar songs, I can't help but somehow be bored. Yes,
they all sound well, but I really don't care that much for newer artists playing older material that sounds
identical to the original releases. Therefore, the real treat is the songs that you may not have ever heard, since,
although they're equally strong, they sound like something genuinely new. Songs such as Something About
You and Uptight (Everything's Alright) probably do sound just like the originals, but I can
appreciate them much more since my music memory base isn't saturated with these tunes from so many years of
repeated listens.
Hopefully everyone can find some freshness here. There's quite a lot of music here, probably much more than what
is necessary. 18 songs is a lot, and the bonus edition has 24! Sorry, but this is just way too much Motown.
I'm not really sure what is criteria was for determining which of the songs would be "bonus", since there's an overall
generic feel to the tracks, even though they are diverse enough to the spirit of the particular genre
of music. Ultimately, though, the songs are wonderfully recorded, and soulfully done by Mr. Collins. Therefore,
on that criteria, you can easily label this as "success", even if it is a tad too long.
Go back to the main page
Go to the next Review