Life, Death, Love and Freedom (2008)
1. Longest Days
2. My Sweet Love
3. If I Die Sudden
4. Troubled Land
5. Young Without Lovers
6. John Cockers
7. Don't Need This Body
8. A Ride Back Home
9. Without a Shot
10.Jena
11.Mean
12.County Fair
13.For the Children
14.A Brand New Song
 
It was always a bit of a downer that
radio wasn't playing a lot of songs from artists that dominated the
airwaves back in the seventies and eighties. A key irony is that many
of these artists (Mellencamp, Paul McCartney, Elton John, Bob Dylan, etc.) were
putting out, arguably the best material of their entire career. For
proof, one needs to look no further than this album. This is arguably
Mellencamp's best album of his entire career. Of course, the songs
really aren't that radio friendly to begin with, but that's
beside the point. The real tragedy is that there are masses of people
who have never been (nor ever will be) exposed to this album.
Mellencamp will always be Mellencamp. One should never expect him to be
a cheery, happy guy. This is true here as well. What is
different here, is that Mellencamp is much older than he was when he was
Johnny Cougar, and these songs are mainly an exercise of one person
coming to grips with their own mortality. He's getting older, and death
is a lot closer than he would like. This seems to be the theme
throughout the album, so it's not exactly an easy listen. O.K., he
does sing a little bit about life, love and freedom, but
it wouldn't surprise anyone if he would have just called this album
"Death".
Fortunately the music here is excellent, which makes the music actually
somewhat comforting to anyone else that may have the same thoughts
running through their heads at an advanced age. You could easily make
the argument that it sounds like the guy never really found happiness.
Now that he's older, he seems to regret a lot of his past, but it sounds
like he'll always be a bit of a long suffering guy. Then again, had he
ever been a "cheery" fellow, he probably never would have had it in him
to become the brilliant artist that he is.
Musically, Mellencamp has always been compared to such artists as
Springsteen and Dylan. I could always see a slight similarity, but on
this album, the differences are small. That's a good thing. Lyrically,
I can hear Springsteen throughout this album, as Springsteen always sang
about the poor and down-trodden as well. When Springsteen got carried
away, he would let his lyrics take precedence over his music, which
wasn't a good thing. This is where the Dylan influence takes over on
this album. He manages to sound like "early" Dylan and exactly like
"later" Dylan at the very same time, so the music here never suffers.
This is mostly a "quiet" album, but it's not going to put you to sleep
either. The toned down approach helps the theme and the message of the
songs, and you really have to admire the guy for wearing his heart on
his sleeve for all to see. Anyone who ever doubted that this guy wasn't
a musical genius need look no further than right here.
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