Say You Will (2003)
1. What's the World Coming To
2. Murrow Turning Over in His Grave
3. Illume
4. Thrown Down
5. Miranda
6. Red Rover
7. Say You Will
8. Peacekeeeper
9. Come
10.Smile at You
11.Running Through the Garden
12.Silver Girl
13.Steal Your Heart Away
14.Bleed to Love Her
15.Everybody Finds Out
16.Destiny Rules
17.Say Goodbye
18.Goodbye Baby
 
If you're keeping track, this is the
fourth different Fleetwood Mac lineup on the last four Fleetwood Mac
albums. A bit reminiscent of the early seventies, wouldn't you say? The good news is
that both Buckingham and Nicks are back in the lineup, the bad news is
Christine McVie is not. McVie had been wanting to retire from the road
ever since, believe it or not, the early seventies so it's not
completely surprising, although she had been touring with the
band in support of the live-reunion album The
Dance. As good as Buckingham and Nicks were, and they were
pretty good on this album for the most part, this album proves once
again that the three key front-musicians were needed for that old
Fleetwood Mac magic.
This whole album is really a mixed bag on many different fronts. Even
though it sounds very good, it also lacks a bit of cohesiveness.
Lengthwise, it's even longer than the double album Tusk, and there's not that much filler, so quantity
wise, you definitely get your money's worth. The songs are equally
divided - 9 by Lindsey Buckingham and 9 by Stevie Nicks, and it doesn't
sound like there was much collaboration between the two, so it sounds a
lot like two solo albums with the tracks intertwined (think The Beatles'
"White Album"). Fortunately, quality isn't a problem either -
especially with Lindsey Buckingham.
Buckingham had seemed to be getting better with age and experience.
When you look at his solo albums, his early career seemed a bit
unfocused, but by the time he reached his latter works (around the time
of this album) he was producing masterpieces. He has plenty of the
traditional Buckingham guitar wackiness, with his signature acoustic
plucking throughout. For the most part his songs are melodic enough to
hum along to the tunes - at least on tracks such as Red
Rover, Miranda, and the infectious Say Goodbye.
Peacekeeper and What's the World Coming To are both poppy
enough to gain some radio airplay, whereas some of the tracks such
as Murrow Turning in His Grave and Come stretch the
boundaries of weirdness a bit. Like the last Fleetwood Mac album that
Buckingham played on, Tango in the
Night, it's really Buckingham that carries the album.
Sadly Stevie Nicks seemed to be going in the opposite direction
in her career in terms of quality. Everything she touched turned to
gold in the late seventies-early eighties, yet she had been floundering
a bit ever since. Her work on this album wasn't much different. Her
work, like Buckingham's, is a mix of ups and downs, but, percentage
wise, isn't as strong. Her strongest titles are the title track (quite
possibly the most "Fleetwood Mac" sounding song on the whole album.
Maybe that's why they gave the album the same title?) and Silver
Girl is a bit more reminiscent of her early work and is a nice
reminder of days gone bye. Her "goodbye" song
(remember, Lindsay has one here too) is the very slowed down Goodbye
Baby. I don't know if this band will ever put out another album,
but this song in itself is a good choice to "end" this band's recording
career.
Fans were pleased to have this. The material was so strong (unlike the
last couple of releases) that it left fans wondering just how good this
could have been had Christine decided to participate.
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