Mirage (1982)
1. Love in Store
2. Can't Go Back
3. That's Alright
4. Book of Love
5. Gypsy
6. Only Over You
7. Empire State
8. Straight Back
9. Hold me
10.Oh Diane
11.Eyes of the World
12.Wish You Were Here
 
As the new decade of the eighties
emerged, there were plenty of rumors that this band was through. The
reasons are mostly typical of why a band would split, but in addition to
the regular reasons, Lindsey Buckingham and Stevie Nicks and found some
success with their solo endeavors, especially Nicks. She would
captivate the world as a solo artist for the next few years, and, in
what is common in these cases, such artists aren't necessarily keen to
leave their solo success and go back to sharing the spotlight in their
particular band.
They did get back, which was good, but they managed to put out probably
the weakest of their albums that featured the "classic" lineup. For the most
part, the songs are all good. But that's about it - just "good". It
sounds like they're trying very hard to play it safe and not venture
into any adventurous, unexplored territory. It was that exploratory spirit that
made their last three albums classics, but it could be that the
band members were
still rocked up by the Tusk album, which many
saw as too experimental, so maybe they were trying to go the
opposite direction and make things as simple and safe as possible.
Lindsey Buckingham is hurt the worst by this restraint. He sounds as
though the other members have him on a very, very short leash. His
songs are much more "pop" friendly, yet it's hard to imagine that this
is what he could have wanted for his own material. Remember, it was
his songs on Tusk that pushed the band the
hardest into a new, strange world, so he probably recorded this album
kicking and screaming. His songs like Book of Love and Oh
Diane sound like he's plodding through the tunes, just trying to
get through them as quick and as painless as possible. A great example
of this restraint versus what it could have sounded like is his
song Eyes of the World. Again, here it sounds restrained, but if
you've ever seen the band play this song live, you'll note that
it's almost an entirely different song. It sounds very "Tusk-ish", and
it sounds much better when performed live.
Maybe because he had just released his own solo
album, he felt like he had a chance to let out his creative
energies to their full potential, so this experience of restraing didn't "bother" him
as much as it might have otherwise.
Nicks and McVie each have a couple of good songs as well. Nicks'
Gypsy is great stuff, and, without a doubt, the best and most
well known song here. Sadly, she only has two other tracks, both of
which are o.k. Straight Back sounds o.k., but it's sadly a bit
forgettable and That's Alright definitely has a Country Western
feel that is surprisingly quite good and makes you wish they had
explored this territory a bit more in their catalog. Christine McVie's
Hold Me is another stand out (it was rightly a hit as well) and
Love in Store is quite possibly the most underrated song on the
album.
Whatever the intention, the overall feel of the album sounds as though
they purposely played it safe. Not a bad record, but definitely subpar
compared to all their great material released before and after this
release.
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