Heroes are Hard To Find (1974)
1. Heroes are Hard to Find
2. Coming Home
3. Angel
4. Bermuda Triangle
5. Come a Little Bit Closer
6. She's Changing Me
7. Bad Loser
8. Silver Heels
9. Proove Your Love
10.Born Enchanter
11.Safe Harbour
 
The last Fleetwood Mac album to feature Bob Welch
is my least favorite of all of the ones with him in the fold.
At this stage they were down to a foursome. Guitarist Bob Weston was
kicked out after it was discovered he was having an affair with drummer
Mick Fleetwood's wife. To be honest, I can't really notice any difference
in guitar playing, so I can't really access Weston's overall
contribution to the band anyway. So the four members consisted of rhythm
section Mick Fleetwood and John McVie and in the spotlight were
guitarist Bob Welch and Keyboardist Christine McVie. Welch and McVie
had handled the majority of the spotlight for several years now, so
this, in itself, was not anything new. Regardless of what the lineup is
this time, the songs here just sound
mediocre compared to what this band had done in the past.
Welch, in particular, just gets weird. He'd always been quite a
bit spacey (literally) in his mannerisms, but it seems that here it
overcomes his songs rather than graciously enhancing them. It makes you
really question exactly where the "home" is that he's singing (or
chanting) to in Coming Home. It sounds like he thinks he's an
alien from another planet being called to another galaxy. A bit too
much for me, especially on a Fleetwood Mac album. The song itself is
not really bad, it's just a tad "too much". The exact same thing
can be said about Bermuda Triangle, the title in itself can
pretty much describe the overall feel of the song. His style even rubs
off on McVie's Bad Loser that I thought for sure was a Welch song
until I heard her start to sing.
Speaking of McVie, she sadly comes up short in most places as well. The
leadoff song, the title track, sets things off course immediately. It's
one of the only non-blues Fleetwood Mac songs, that I know of, that features a
horn section. Talk about something being terribly out of place in a
Fleetwood Mac song. It simply never really gels.
Fortunately there are a couple of bright spots if you dig hard enough.
Both Welch and McVie manage to put out one strong song apiece. For
Welch, it's the track Angel, that sounds, well, almost too
normal to be a Bob Welch song (not to be confused with the same
song title from the album Tusk several years
later). McVie's one strong song is the beautiful, majestic Come a
Little Bit Closer that rivals her best work on Mystery to Me. Another one of her songs,
Prove Your Love is more "good" than "not so good".
A low point for the group. Maybe it was good that the lineup was
probably in need of another major shakeup. No one could have predicted
at the time, but things were about to spiral into a success that nobody,
even the band members themselves, could have possibly predicted.
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