Inside Job (2000)
1. Nobody Else in the World But You
2. Taking You Home
3. For My Wedding
4. Everything is Different Now
5. Working It
6. Goodbye to a River
7. Inside Job
8. They're Not Here, They're Not Coming
9. Damn it, Rose
10.The Genie
11.Annabel
12.My Thanksgiving
 
Nobody thought it would be more than
ten years before Henley would follow up after the brilliant The End of the Innocence album. Of
course that's not technically true, since he rejoined the reformed
Eagles back in 1994, a reunion which produced an album, a massive tour
and exceeded everyone's expectations (and those expectations were pretty
high). So Henley wasn't exactly missing from the limelight. It can be
fair to say though, that after a decade and a half of sheer brilliance,
anything he would put out in the year 2000 could be seen as a letdown.
Sadly that's exactly what this feels like. There were stories and
stories about how long he was working on this album. In many ways, this
is reminiscent of The Eagles The Long Run
in terms of expectations, duration of waiting, and overall quality. It
sounds in many cases that he's stuck in a holding pattern, and that
"holding pattern" doesn't help matters when it's been eleven years since
your last release.
In many cases, the songs sound like they came right out of 1985. The
production and style are very much a reminder of what made Henley great
all those years ago - with it's mechanical sounding drums and heavy
synthesizers, it sounds like he's trying to replicate the sound that
made him big, not necessarily trying anything new.
Then, when you realize that there's 70 minutes of music here, it makes
you wish he could of left some songs off, or at least whittled down some
of the songs a bit. Eight of the songs here exceed five minutes in
length, so it really does become tiresome to listen to the whole thing
repeatedly. By the time we get to songs like The Genie or
Miss Ghost, we really can't give them a fair listen because we're
exasperated by this point. Then there's the issue of the mixing of the
tracks. If anything, Henley has mellowed out a bit (just a little bit)
in his advancing years, so the album has more slower, introspective
songs. Not a bad thing, but since they're randomly placed all over the
place, the album shifts gears too often and too radically. A classic
example is the third song For My Wedding. It's a very sweet
piece, but a song like this belongs at the end of the album, say - the
last song? Other examples are Annabel and My
Thanksgiving, they all sound too similar and the listener wishes for
maybe one of these songs as opposed to three that made the final cut since the
differences seem minimal.
Because of the bloated length, there are several good songs that seem to
get a bit lost in the murk. Taking You Home shows off Henley's
softer side, whereas the title track and Working It show off the
angrier side of his personality - where he packs as much message
possible within the lyrics to get all of his points across. My personal
favorite is the "aliens from outer space" song, They're Not Here,
They're Not Coming which essentially says that even if there
was intelligent life out there, our planet is probably the last
place they would want to visit.
The best thing to do when listening to this album is not to compare it
to the last couple of records that blew everyone completely away.
There's enough pleasant material within these songs for some moderate
enjoyment. You can't help but wonder, though, if this is the last full length
release we'll ever see from Don Henley.
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